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Madrid Produce17 · 10 · 2026

Press

News from our projects and a selection of published coverage.

ORCAM · ALONDRA DE LA PARRAMahler
316.10.2026 · SAN LORENZO DE EL ESCORIAL

Madrid Produce

15.10.2026

Recording Mahler’s Third with Alondra de la Parra

Company news

On 16 October 2026, Madrid Produce will record the Orquesta y Coro de la Comunidad de Madrid performing Gustav Mahler’s Symphony No. 3 under Alondra de la Parra at Teatro Auditorio San Lorenzo de El Escorial. The programme features mezzo-soprano Jennifer Johnston and the Pequeños Cantores de la ORCAM.

Concert coverage in Melómano

In the media

Madrid Produce · 17.10.2026

From the Colón to film and immersive sound

A new review in Música Clásica Buenos Aires explores the visual imagination of Los cuentos de Hoffmann. The production credits name Bruno Arantes and Felipe Giuliano for visual design.

We also bring together coverage of independent work by our IMEXsound collaborators: Rolling Stone Italia discusses Thilo Schaller’s collaboration on Il Doge, while Entertainment Technology Asia credits Arne Bock with sound design for Joe Hisaishi at Tokyo Dome.

These are new additions to our press and credits archive. Work by Arne, Thilo and IMEXsound retains its own attribution.

Explore sources and credits
Hoffmann: el regreso de la producción de Zanetti

Infobae · 06.10.2026

Hoffmann: el regreso de la producción de Zanetti

News of the Teatro Colón revival, with photographs, the creative team and cast.

Read in Infobae
Luz y zarzuela en el estanque del Retiro

El Español · 12.05.2023

Luz y zarzuela en el estanque del Retiro

Coverage of Zarzuela Monumental as part of the San Isidro 2023 celebrations.

Read in El Español
OFFF Sevilla: arte e innovación

Eventoplus · 04.12.2024

OFFF Sevilla: arte e innovación

The report highlights Invernaderos by Syntroφ Art Studio among installations combining art and technology.

Read in Eventoplus
Javier Santo Lobo: escritura, guion y El vals sin nombre

Libreopinante · 20.09.2026

Javier Santo Lobo: escritura, guion y El vals sin nombre

The interview with the screenwriter mentions El vals sin nombre and its Best Film award in Malta.

Read in Libreopinante
Pagliacci: escena artesanal y visuales en tiempo real

Tiempo de San Juan · 2025

Pagliacci: escena artesanal y visuales en tiempo real

The preview highlights the combination of traditional stagecraft and visuals that change in real time in Zanetti’s staging.

Read in Tiempo de San Juan
Mozart en español: una puesta multimedia

Infobae · 05.10.2019

Mozart en español: una puesta multimedia

Rodolfo Biscia examines the Spanish adaptation and describes the projections, 3D mapping and transparent layers shaping the staging.

Read in Infobae

Press archive

The complete published record: reviews, mentions, credits and institutional documents, grouped by project.

Recording · ORCAM and Mahler

Melómano

05.10.2026

La ORCAM inaugura su temporada con Mahler

Concert coverage

The magazine announces Mahler’s Third Symphony conducted by Alondra de la Parra, with Jennifer Johnston and the Pequeños Cantores de la ORCAM, and confirms the 16 October performance at Teatro Auditorio San Lorenzo de El Escorial. Coverage of the concert; Madrid Produce’s recording work is announced in our own news item on this page.

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Los cuentos de Hoffmann
Los cuentos de Hoffmann · Teatro Colón, 2019
Los cuentos de Hoffmann · Teatro Colón, 2019 · Buenos Aires Ciudad / Teatro Colón

Pro Ópera

12.10.2026 · Gustavo Gabriel Otero

Les contes d’Hoffmann en Buenos Aires

Review

Praises the musical and vocal performances while finding the staging overly elaborate. The review covers the production without naming Bruno Arantes or Felipe Giuliano individually. The expanded version published by Mundoclasico on 15 October adds video production credits for Bruno G. Arantes and Felipe Giuliano. Both versions of the same review are grouped in this entry.

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Mundoclasico · Una reposición afortunada · 15 October 2026

Críticos Musicales de la Argentina

09.10.2026 · Carlos Ernesto Ure

Bifronte edición de Los cuentos de Hoffmann

Review

An overall “fair” assessment, critical of the accumulation of scenic elements and projections. Bruno Arantes and Felipe Giuliano are not named individually. This review, also published in La Prensa, is listed once.

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Críticos Musicales de la Argentina

10.10.2026 · Martin Wullich

Les contes d’Hoffmann, la magia permanece

Review

Martin Wullich praises the visual richness of Zanetti’s staging and reviews the second cast. The date refers to the performance reviewed. Teatro Colón’s programme credits Bruno Arantes and Felipe Giuliano with visual design.

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Music, heritage and public space
Zarzuela Monumental Retiro · San Isidro 2023
Zarzuela Monumental Retiro · San Isidro 2023 · Ayuntamiento de Madrid
Invernaderos · immersive culture
Invernaderos · sculpture, image and sound
Invernaderos · sculpture, image and sound · Madrid Produce
El vals sin nombre · awards
El vals sin nombre · original poster
El vals sin nombre · original poster · Madrid Produce
Pagliacci
Pagliacci · Teatro del Bicentenario, San Juan
Pagliacci · Teatro del Bicentenario, San Juan · Madrid Produce
The Magic Flute
The Magic Flute · Teatro del Bicentenario, 2019
The Magic Flute · Teatro del Bicentenario, 2019 · Teatro del Bicentenario de San Juan
Programmes, festivals and documents
Hora Mágica · visual development for Eugenio Zanetti’s project
Hora Mágica · visual development for Eugenio Zanetti’s project · Madrid Produce
IMEXsound · studio and professionals

Independent work by Arne Bock and Thilo Schaller, co-founders of IMEXSound. Each entry identifies the credited professional and the original source.

Qobuz · Challenge Classics

18.09.2026

Arne Bock · Gay Guerrilla

Recording credit

Qobuz credits Arne Bock as producer of all three tracks on New European Ensemble’s Julius Eastman album. Challenge Classics confirms the release date. An individual Arne Bock credit; neither IMEXSound nor Madrid Produce is credited as a participating company.

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True Perspective Films

2026

Thilo Schaller · Our Planet, the People, My Blood

Official credit · producer publication

The producer credits Thilo Schaller with the original score for this documentary about people affected by nuclear weapons testing. Its page lists a 2026 release without a day or month. An individual credit; neither IMEXSound nor Madrid Produce is credited as a participating company.

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OPERA2DAY

2026

Arne Bock · The Opera Circus

Official credit

The official page for this OPERA2DAY and Nederlandse Bachvereniging production credits Arne Bock with sound design. SPOT Groningen confirms the credit for the performance on 21 January 2026. No publication date is shown. An individual credit; neither IMEXSound nor Madrid Produce is credited as a participating company.

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SPOT Groningen programme

Adrián G. de la Peña · Vimeo

Date unverified · Adrián G. de la Peña

Thilo Schaller · Little Fangs Horror Club

Official credit · director publication

The credits published by the director name Thilo Schaller as the composer of the score for this short film about a teacher who starts a horror film club. An individual credit; neither IMEXSound nor Madrid Produce is credited as a participating company.

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Rolling Stone Italia

31.12.2025 · Gianmarco Aimi

Thilo Schaller · Il Doge è morto

Interview

Director Gianna Isabella Magliocco names composer Thilo Schaller among the key collaborators on her documentary. Independent interview; an individual Thilo credit.

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Abril en Danza

2024

Arne Bock · La reina del metal

Official credit

The festival credits Arne Bock and Pedro León for sound in Aibar & Monfort’s production using 4DSOUND. Sound design is credited to Enric Monfort. Festival edition year; no publication date shown.

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Sneak Peek · LinkedIn

Date unverified

IMEXsound · Gasunie: The Living Network

Official credit · producer publication

The producer’s post describes the immersive production at Schiecentrale, Rotterdam, and credits sound design to IMEXsound without naming individual professionals.

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Entertainment Technology Asia

24.07.2025 · Elton

Arne Bock · Symphony in Soundwaves

Trade press

A technical report on Joe Hisaishi at Tokyo Dome. It credits sound designer Arne Bock and engineer Tyler Soifer with system design and alignment. An individual credit, without company attribution to IMEXsound or Madrid Produce.

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Film.Music.Media / Impact 24 PR

28.08.2024 · Kaya Savas (presentación)

Thilo Schaller · For The Craft

Organiser publication

A panel on music and storytelling featuring Thilo Schaller, introduced as composer of A Portrait of Redemption in Five Acts. Published by the organiser; an individual appearance.

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